Giovanni Peccati
Beautiful, life-affirming music from Sweden - each track is bursting with energy and memorable melodies. For me, an instant classic.
Favorite track: Not American.
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Hannes Bennich - alto saxophone
Britta Virves - piano
Tomas Sjödell - double bass
Emil Norman - drums
Helen Salim (track 4) - vocals
ALBUM CREDITS
Recorded at Yardhouse Studio by Manne Skafvenstedt, 3-5/6/2021
Mixed by Jesse Emmoth
Mastered by Karl Klaseie (Øra Mastering)
Producer Hannes Bennich
Executive Producer - Michael Janisch
Photography by Gianluca La Bruna
Album Artwork by Hugo Piper
credits
released October 28, 2022
ABOUT THE ALBUM
When Losing A Dream To Reality is the debut album from Swedish alto saxophonist and composer Hannes Bennich. Bennich is one of the most interesting new voices on the Scandinavian scene and presents all-original compositions for his first outing written for his band of pianist Britta Virves, double bassist Tomas Sjödell and drummer Emil Norman. Special guest vocalist Helen Salim joins for one track. The album is based around dream narratives: “I wrote music with different versions of dreams ending up perhaps not the way you want to. Like a winding path that can go in any direction,” explains Bennich.
Album opener ‘Billy’s Charm’ was inspired by Billy McFarland (the founder of the failed Fyre Festival): “I just felt he had this big dream and vision but ended up with an amazing disaster.” The track features hypnotic sax lines and a gripping solo section in which Bennich and Virves trade off each other before Sjödell shows off his wares.
‘Not American’ begins with a modern-American feel but morphs into a free-contemporary sound. Bennich says it’s, “a reminder for myself that I will never be this guy growing up in New York in the 30s, I will be a very Swedish guy with my own history. It's like my own wake up call to remember that I have my own strings and my music will sound different.” ‘It Ends Now’ features guest vocalist Helen Salim and was written in the midst of COVID-19, “that was the one I wrote when I missed my family and the dream of it being over,” Bennich explains. Toward the end of the track, Salim’s vocals meld with Bennich’s sax lines so seamlessly they become indistinguishable.
‘Non-Religious’ is, “something I've been dealing with my whole life,” says Bennich, “growing up in a non-religious home but having a lot of religious friends, I've seen how beautiful that community can be”. The track is split, beginning with a solo bass intro which Bennich describes as, “a single voice starting the conversation.” The main track centres around a compelling motif which is introspective and calming. ‘For Essie’ is dedicated to Bennich’s niece and the “dream concept is like growing up with lots of dreams.”
‘Interlude In Peace’ feels self-contained yet experimental, driving yet unhurried. ‘The Traveller’ features particularly impressive kit-work from Norman and a meandering melody line from Bennich. He says: “I've been thinking about traveling a lot. Nowadays it's much harder to dream of a place and really feel like you explore. You Google the 10 best places to visit and see the photos. When you get there, you take your own pictures and leave. It kills the feeling of exploring, so I had this traveller in mind and an old-school kind of travel.”
The last track on the album is ‘A Flower’s Last Wish’. “My father told me flowers can sometimes bloom as a last attempt to spread before they die. It's something that resonated with me,” reflects Bennich, “the perfect end to a beautiful dream.”
supported by 18 fans who also own “When Losing a Dream to Reality”
Yeah, double what another reviewer wrote about polymeters, this is some really tremendous collective playing, in fact some of the best I’ve heard in a long while. I’m going to soak my head in some of this. I really appreciate how the drummer holds this group sound so nicely. Each member adds to the flame in such a brilliant manner! ronn branton